BOOK REVIEWS 499 MARY D. GARRARD, Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art, Princeton, Princeton University Press, 1989.
Underwood 1 Citation: Garrard, Mary D. "Artemisia Gentileschi's Self-Portrait as the Allegory of Painting ." Art Bulletin 62.1 (March 1980): 97-112.
I read in the work of an astrologer from your time that fate is what happens to you, destiny is what you make of it. Rape—and a father who taught me how to paint and how to fight—happened to me.
Excerpted from Janson’s History of Art, Fifth Edition, 1995, 627. Artemisia Gentileschi (1593-c. 1653) From a letter to Don Antonio Ruffo Being a woman in what was considered until very recently a man's field was not easy, as this letter of
HUM1021 – Webquests Chapter 15 – Complete 1 set of questions Artemisia Gentileschi • Where was Artemesia born? • What Tuscan painter did Artemisia’s father hire to train her as a painter?
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L IT . 42 (1999) (offering descriptions and analysis of fictional depictions of Artemisia); Elizabeth S. Cohen, The Trials of Artemisia Gentileschi: A Rape as History , 31:1 S IXTEENTH C ENTURY J OURNAL 47 (2000) [hereinafter Cohen, Rape as History ]; Kristine McKenna, 'Artemisia': Artistic License ...
ARTEMISIA GENTILESCHI, Judith Slaying Holofernes, ca. 1614-1620. Oil on canvas, 6' 6" x 5' 4". DI EGO VELÁZQUEZ, King Philip IV of Spain (Fraga Philip) , 1644.
ART 111 - Compare and Contrast Essay - Two Works of Art Topic : You will compare and contrast at least 2 works of art by two different artists that you have observed while visiting an art museum.